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OS ELEMENTOS DO ESPETÁCULO DE DANÇA NA EXPERIÊNCIA CRIATIVA DO DANÇARINO AUTOR - THE ELEMENTS OF DANCE SHOW IN THE CREATIVE EXPERIENCE BY DANCER AUTHOR
Abstract: This job presents a proposition of creative process between the dancer author and the elements involved in the theatrical dance. These elements are identified in two groups: those linked directly to the dancing principIe such as space, time, tension, weight; and the theatrical elements as costume, illumination, scenograph, music. The proposition in based on the concept it is possible to develop the relation in dance starting from the investigation of the mentioned elements. Starting from this point, the inquiry had as main purpose to put in practice a job proposition in creation laboratories in which was produced the hypothesis that the relationship between the dancer author and the elements involved in the theatrical dance is a source of very rich creation, enabling to result in a process from which emerge character (personage) and the argument to be considered in the work of art. Besides this the inquiry proposes the composition of the work of art starting from the triangle established by the dancer-author, work and spectator like a moulding that restricts the artistic proposition in the moment of its usufruct.
ENSINO DE DANÇA NA ESCOLA_ UMA PROPOSTA DE EDUCAÇÃO MODULAR .pdfENSINO DE DANÇA NA ESCOLA: UMA PROPOSTA DE EDUCAÇÃO MODULAR - SCHOOL DANCE TEACHING: A MODULAR EDUCATION PROPOSAL
Abstract: Based on the observation that dance, even though it is not part of the compulsory school curriculum as in many other countries, such as England and the United States, is present in the Brazilian school linked to Art and Physical Education; that your field of action, your goals and your way of entering the school are not clear; This research aims to present a proposal for a modular methodology for dance classes to be worked on in Physical Education at School.
Corpo cênico e percepção alterada - Scenic body and altered perception
Abstract: This work aims to reflect the scenic body in Dance, putting in parallel the change suffered by the perception of being a creator and user in the context of new technologies.
"Processo Criativo em Dança Baseado na Relação entre e o Dançarino Autor e os Elementos Envolvidos na Dança" - Creative Process in Dance Based on the Relationship between the Author Dancer and the Elements Involved in Dance
18o. Congresso Internacional de Educação Física - FIEP/2003
Abstract: This article presents a propose of creative process between the dancer author and the elements involved in the theatrical dance. These elements are identified in two groups: those link directly to the dancing principle such as space, time, tension, weight; and the theatrical elements as costumes, illumination, scenograph, sonority. The proposition is based on the concept it is possible to develope the creation in dance starting from the investigation of the mentioned elements inside the creation labs. The relationship among dancer author and elements involved in the theatrical dance is a source of very rich creation, enabling to result in a process from which emerge character (personage) and the argument to be considered in the art.
"Um Estudo sobre Produção em Dança: Conceitos das Funções e suas Aplicações Práticas"
Scientific Initiation with PIBIC / CNPQ scholarship. Orientation Dr. Eusébio Lôbo da Silva. Department of Body Arts - IA, UNICAMP. 1997
Abstract: Dance production, seen as a commercial or artistic enterprise, involves several functions and elements in its process of assembly, realization and completion. This research aimed to identify, characterize, analyze and record the concepts of the functions and the basic elements of production in dance, also aiming at a proposal for organization in this area.
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